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ENGLISH 和苍井空相似的AVThen, under a portico in front of us, a man began to undress. He threw off his dhoti and his sarong, keeping on his loin-cloth only. With outstretched arms he placed a heavy copper pot full of water on the ground, took it up between[Pg 171] his teeth, and without using his hands tilted his head back till the water poured all over him in a shower, which splashed up from the pavement, sprinkling the spectators in the front row. Next he tied his dhoti round the jar, which he refilled, and fastened the end to his long hair. Then, simply by turning his head, he spun the heavy pot round him. It looked as if it must pull his head off, but he flung it faster and faster till he presently stopped.At night, in the crowded station, a guard of honour was waiting, composed of sepoys. There was shouting among the crowd, a fanatical turmoil, a storm of orders, and heavy blows. Some great[Pg 93] magnate got out of the train, surrounded by secretaries and officers. The soldiers, bearing torches, attended him to his carriage; they remounted their horses, following the vehicle, in which a light dress was visible. Very fast, and with a great clatter, they rode away into the silent night fragrant with rich scents; they were lost under the trees to reappear in the distance on a height, the torches galloping still and the smoke hanging in a ruddy cloud above the bright steel and the white cruppers. Then, at a turn in the road, they all vanished.
"Ah, your Kali, then?"Next day was kept as the spring festival. Every man had a rose stuck into his turban, and a shirt embroidered in gold on the shoulders and breast. The women appeared in stiff and gaudy veil cloths, bedizened with trumpery jewellery. Everybody was gay; a little excited towards evening by arrack, and dancing, and singing to the eternal tom-toms. Even the fiercest men from the hills, with black[Pg 279] turbans and enormously full calico trousers that once were white, and shirts embroidered in bright silks, had set aside their ferocious looks and stuck roses in their pugarees, smiling at those they met.
A stone parapet runs along the river road, and below it the grassy bank slopes gently to the clear and limpid stream of the Ganges. On the shores[Pg 141] of the sacred river fine trees overshadow many idols, and fresh flowers are constantly laid at their feet.On the tomb, in elegant black letters, is this inscription:One old man, indeed, bowed so low that he fell into the water, and all the worshippers shouted with laughter.
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Then the sunset, in the furnace of heavy purple and red, reflected in the water in fiery copper-colour streaked with violet, till soon it all faded together, to gold, to lemon-colour; the mist rising from the river spread over all the country, and everything looked the same in the cloudless gloom. One quarter of the sky glowed faintly, through the haze a crimson globe rose into view, the moon appeared, and soon lighted up all the sky with a soft greenish glow, pallid but deep, lying on the tranquil Ganges in broad rippling sheets of gold and green, spangled with light where a fish leaped, or a white bird dipped its wing as it skimmed swiftly across without a sound. The gold grew cold and dead, the moon turned to steel against the intensely blue sky, to cold blue steel on the lustrous face of the waters.[Pg 196]
In Heavens name dont marry him, cried the Duchess. You will be miserable.
Balls were not then the crushes they afterwards became. The company was not nearly so numerous; there was plenty of room for those who were not  dancing to see and hear what was going on. Mme. Le Brun, however, never cared for dancing, but preferred the houses where music, acting, or conversation were the amusements. One of her favourite salons was that of the charg daffaires of Saxony, M. de Rivire, whose daughter had married her brother Louis Vige. He and her sister-in-law were constantly at her house. Mme. Vige acted very well, was a good musician, and extremely pretty. Louis Vige was also a good amateur actor; no bad or indifferent acting would have been tolerated in the charades and private theatricals in which Talma, Larive, and Le Kain also took part.
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All round the Rajah's palace crowds a town of palaces, mosques, and temples dedicated to Vishnu; and outside the walls, on a plain lying between the hills of Amber, is another town, still thick with ruins amid the forest of encroaching trees. And it is all dead, deserted, dust-coloured, unspeakably sad, with the sadness of destruction and desertion in the midst of a landscape gorgeous with flowers and groves. In the palace of Amber, guides make a good[Pg 216] business of showing us the public rooms, baths, and bedrooms, all restored with an eye to the tourist. In the gardens, heavy with perfume, the trees display swinging balls of baked earth full of holes, which protect the ripening fruit from the monkeys; a whole tribe of them scampered off at our approach, and went to torment the peacocks that were solemnly promenading a path, and that presently flew away.
At a station where we stopped, a man with a broad, jolly, smiling face got into the carriage. He was a juggler and a magician, could do whatever he would, and at the time when the line was opened[Pg 90] he threatened that if he were not allowed to travel free he would break the trains into splinters. The officials had a panic, and the authorities were so nervous that they gave way; so he is always travelling from one station to another, living in the carriages.
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